I want real props. I want real makeup. I want the actors to feel like they’re really in this world.
Del Toro’s dedication to practical effects and physical sets is evident in his previous works, such as Pan’s Labyrinth and The Shape of Water. In Frankenstein, this commitment to authenticity will be taken to the next level, with elaborate sets that recreate 19th-century Geneva, as well as intricate makeup and prosthetics to bring the monster to life.
By eschewing CGI and AI in favor of practical effects, del Toro is not only staying true to his artistic vision but also creating a more immersive and tactile experience for the audience. The attention to detail and craftsmanship that goes into each set and effect will undoubtedly elevate the film and contribute to its success as a visual spectacle.
With a fresh interpretation of a classic tale, powerhouse performances from Oscar Isaac and Jacob Elordi, and a commitment to practical effects and physical sets, Guillermo del Toro’s Frankenstein has all the makings of a cinematic masterpiece. As the film makes its debut at the Venice Film Festival, audiences around the world eagerly await the opportunity to experience this bold and ambitious reimagining of a timeless story.
For more information on Guillermo del Toro’s Frankenstein, be sure to check out our guide for all the latest updates and insights into this highly anticipated film.
This article delves into Guillermo del Toro’s dedication to old-fashioned craftsmanship in filmmaking, emphasizing the beauty of manual labor in creating sets and props. The piece also touches on the upcoming release of “Frankenstein” and Netflix’s evolving approach to film distribution. Overall, it highlights the unique artistry and vision behind del Toro’s work, setting it apart from the digital and AI-driven trends in the industry.
In a world where generating photos and videos is within reach of the average internet user, and film studios don’t only depend on CGI but are starting to turn to AI, Frankenstein should feel real and grounded. While Hollywood values speed, ease, and low costs, del Toro makes his movie one of the last bastions of the filmmaking art.
What’s more, it feels like del Toro’s fascination with constructing a film set has much in common with Victor Frankenstein’s obsession for creating a life out of dead components. In both cases, dead elements are carefully selected and merged, transforming into a somewhat living creature. The mad scientist’s goal was to beat death – it feels like del Toro’s aim is to stop the decay of cinematic craft.
In this case, it’s even sadder that Frankenstein will have only a limited, three-week theatrical run. The film will premiere in selected cinemas on October 17, before hitting Netflix on November 7. It means that most viewers will witness wonders intended for a big screen and collective experience alone on a small home device.
This strategy seems like part of Netflix’s broader philosophy, which Ted Sarandos, the CEO for the streaming giant, articulated in April 2025 in an interview with Time Magazine (via Variety):
We’re in a period of transition. Folks grew up thinking, ‘I want to make movies on a gigantic screen and have strangers watch them [and to have them] play in the theater for two months and people cry and sold-out shows’ … It’s an outdated concept.
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